Collaborative works with Artists, Musicians and Writers
Points of Listening
It began in 2014 and continues as an ongoing project of collective listening and sound making situated at the intersection of sound arts, participatory practices and education.
PoL is an expanded space for practice and research that facilitates experimental workshops and discussions with a participatory and performative emphasis. Events are open to the public and held at London College of Communication in addition to various locations, outdoors and indoors, throughout the city.
And it tastes like hair
The work negates the ability to record nature from outside. Instead it wills entanglements in roots and leaves, on moss and air, and by the long grass and the thistle. It insists on our being together and of each other in a co-dependent interbeing, rather than allowing for the separation of being nature or being human.
Melbourne SoundWords forms a guest edition of a regular blog SoundWords, which attempts to write about sound and the listened to without simply relying on adjectives and adverbs, (loud, quiet, noisy, harsh) but by expanding and inventing words and their use, to accommodate the invisible ephemerality and passing nature of sound.
Ora: voyages into listening and writing
Between 2013-2015 Salomé Voegelin collaborated with writer and curator Daniela Cascella, to produce monthly radio programmes between texts and sounds.
Every episode hosted a debate and went on a voyage with guests, words, and sounds, compositions, recordings, voices and silences, to encounter a number of issues in the current discourse on listening
These were broadcast every last Thursday on Resonance 104.4 FM and digital archived on www.ora2013.wordpress.com
ora: hour, pray, speak, now, aura; insight, disorder, conversation, enquiry, doubt.